New Objectivity 新即物主义
（重定向自Neue Sachlichkeit）
The New Objectivity (in German:Neue Sachlichkeit) is a term used to characterize the attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it. Rather than some goal of philosophical objectivity, it was meant to imply a turn towards practical engagement with the world—an all-business attitude, understood by Germans as intrinsically American: "The Neue Sachlichkeit is Americanism, cult of the objective, the hard fact, the predilection for functional work, professional conscientiousness, and usefulness."
![Made in Germany (Den macht uns keiner nach), by George Grosz, drawn in pen 1919, photo-lithograph published 1920 in the portfolio God with us (Gott mit Uns). Sheet 48.3 × 39.1 cm. In the collection of the MOMA](/Images/godic/202501/29/Made_in_Germany_by_George_Grosz_19201920.jpg")
![Panorama of the IG Farben Building from the south, demonstrating how the curved shape of the building's façade reduces the impact of its scale](/Images/godic/202501/29/Goethe_University_Frankfurt_Poelzig_Building_Panorama1920.jpg")